Showing posts with label Plants and Flowers. Show all posts
Showing posts with label Plants and Flowers. Show all posts

Golden Yellow Aspen Trees: Looking back 50 Years and down 35,000 Feet

Friday, September 09, 2022

Fifty years ago, this week, and looking down at the Rocky Mountains from an altitude of 35,000 feet, the memory I retrieve is hundreds of miles of Aspin trees, in their September golden-yellow magnificence. Glued to the window two hours into my coming-of-age trip, I guessed first that the amazing sight might be blooming goldenrod. Then I realized the blaze of color was not flowers, but autumn leaves. Growing up in Los Angeles, I’d not had much experience with fall colors. Sadly, my useless little camera had no way to catch the grandeur nor the color of the Quaking Aspen.

After the goodbyes in L.A., my views of the western United States seemed mostly parched and drab. After the Aspen in Colorado, my next strong memory is chunks of ice floating in Hudson Bay, then snow piled beside the runway in Iceland. Finally, I saw the first hints of dawn while taking off for the last leg from Glasgow. Travel stimulates memories like no other activity I know. I cannot remember what I had for breakfast yesterday, but I can reach back 50 years and recount my day-by-day events, conversations, and impressions for the three months of my travels. Then, I can contrast what I actually did with what I’d expected to do, and see how those experiences determined the rest of my life. It had been my original plan to take a brief look at London and then go to France. I would find a room, work on my novel, and finally learn the language that had eluded me through five years of high school and college coursework. Instead, my ADHD and ENTP curiosity would kick in. I would visit Wales, Ireland, Belgium, Netherlands, the two Germanies, Switzerland, Italy, Yugoslavia, Turkey, Israel. I’d spend just the briefest couple of days in France, leaving me with French I still can’t speak, and I am now 50 years closer to finishing my novel. Dwarfing all that, though, I left home an agnostic—although intrigued—but came home a firm believer in Jesus Christ. Between now and Christmas, regular readers of my feed can expect to see me reliving the highlights from those three months, though I have several off-topic essays in process as well (see ‘ADHD and ENTP,’ above). Oh, and I’m working again on my novel. I hope many of you stop by.

Kamisaka Sekka and Rimpa/Rinpa @ the Clark

Monday, May 28, 2012

Opening day for Kamisaka Sekka


It shouldn’t happen, but it had been twenty-seven months since I last visited the Clark Center for Japanese Art and Culture, even though it is only a bare twenty-eight miles from my door.  I was very aware of missing several interesting exhibitions, and my only excuse is busyness.  So earlier this month, I stole an afternoon I didn’t really have, and went to see the opening of Kamisaka Sekka, 1866-1942: Tradition and Modernity (running through July 28).  In truth, the presentation goes far beyond this one artist, and gives a history of the Rimpa School (琳派 Rimpa or Rinpa), of which Kamisaka was its last great master.

Detail from Kusunoki Masashige before the Battle, Kamisaka Sekka (ca. 1918)
I have long been intrigued by most things Meiji.  It astounds me that a nation could—by an act of will—redefine itself so quickly.  Japan leaped from 17th Century feudalism to 20th Century modernity in barely half a century.  It made an art of copying Europe and America in major areas of life, and yet managed to accomplish its leap with most of its national character intact.  Compared to, say, a similar effort in China under Mao Zedong, it was almost bloodless, and so much smoother.

Kamisaka Sekka
Kamisaka Sekka was three when forces loyal to the teenaged Emperor Meiji put down the last vestiges of the Tokugawa Shogunate.  He had been born into a samurai family near Kyoto, but a major plank in modernization was the abolition of the Samurai class.  Many former samurai turned to the arts.  Others became foreign students, sent to the west to bring back modern thought and technology.  Kamisaka did both.  After mastering Rimpa, he studied in Glasgow, Scotland, and returned home to become the father of modern Japanese design.

From Blue Iris, Nakamura Hōchū (d. 1819)
Kamisaka considered Rimpa to be Japan’s only native school of art, with all other styles coming first from China.  Rimpa originated early in the 17th Century, and could appear as hanging paintings, folding screens, decorative fans, lacquer ware, textiles, ceramics, woodblock, or books of prints.  Kamisaka worked in each of these.  Backgrounds often bore calligraphy and a distinctive gold or silver sheen, against which objects appeared in strong colors, sometimes with bold outlines and other times with no outline at all.  Subject matter often came from plants, flowers, or birds, but sometimes came from legends, the theater, or popular stories.  Because the patrons who supported it were wealthy, Rimpa exudes a stylized lavishness.

Noh Scene: Hagoromo, Kamisaka Sekka (ca. 1920-1940)
Perhaps a hundred guests came for a presentation by Dr. Andreas Marks, Director and Chief Curator at the Clark Center, which is just south of Hanford.  I came with little prior knowledge (though after returning home, I realized I have a Rimpa hanging in my living room).  Rimpa had three bursts of development, spread over some two hundred years, and I enjoyed the overview and introduction to the key individuals.
Moon and Waves, Suzuki Kiitsu (1796-1858)
Pieces by several of the earlier masters caught my attention.  Suzuki Kiitsu’s Moon and Waves achieves wild excitement with very simple colors and lines, with a modern appearance in stark contrast to my image of Tokugawa feudalism.

I enjoyed Kamisaka’s more traditional work, with less of a European influence.  He was sent with the assignment to discover what Europeans would like to see in Japanese art.  He accomplished the task well, but Edwardian tastes are not my tastes.

Pages from “All Kinds of Things” (“Chigusa,”), Kamisaka Sekka (1903)
A gentlemen saw me admiring Suzuki’s Bush Clover and Pampas Grass and came to tell me he had enjoyed it for several years, hanging in his bedroom.  I asked if he was Mr. Clark, and he corrected me, “Bill.”  At that moment, we were interrupted by the start of Dr. Marks’ talk, and we did not get to finish our conversation, but I must point out that in three visits to the Victoria and Albert Museum, in London, I have never yet been approached by either Victoria or Albert.


Detail from Bush Clover and Pampas Grass, Suzuki Kiitsu (1808-1841)

Grasshopper detail from Autumn Grasses and Moon, Sakai Ōho (1808-1841)

Seven Lucky Gods, Kamisaka Sekka (ca. 1920-1930)
Morning Glories, Kamisaka Sekka (ca. 1920-1940)
As a westerner, it is impossible to enter the world of Japanese art without some kind of guide.  The iris is the symbol of summer and the trademark of Rimpa.  Hollyhocks symbolize the passage of time.  Seven specific grasses and the moon speak of autumn.

Takasago, Kamisaka Sekka (ca. 1920-1930)


Hollyhocks, Sakai Ōho (1808-1841)

I enjoy visiting the Clark Center.  As a small museum, it has a special personality.  After my previous visit—a samurai exhibit, I got too busy to post anything on this blog.  Then, last summer I had the chance to see a similar presentation, in London.  I came away impressed that the Clark had done a better job telling the samurai story than had the Victoria and Albert.  The difference is, even if a visitor can devote most of one day to the Victoria and Albert, one still feels the pressure to race from item to item, running from antiquity to the present, and from continent to continent.  There are thousands of things to see.  Yet in the samurai room, the Victoria and Albert was outdone by the Clark.  The Clark told a richer story, and gave visitors a more intimate setting.
Samurai at the Victoria and Albert Museum, London, July 2011


Samurai at the Clark Center for Japanese Art and Culture, January, 2010
I may get back for a second look at the Rimpa before it closes, July 28th.  Then I look forward to a two-part presentation of landscapes, beginning in September.



For more on the Clark Center for Japanese Art and Culture

For my previous review of the Clark Center for Japanese Art and Culture:






















Entertaining Myself outside the US Embassy

Sunday, July 03, 2011

One nice thing about the hobbies of entomology and botany is that they can be indulged almost anywhere.  These two weeks I have been traveling in Brazil.  We’ve had many little adventures, but our big one was a road trip to the US embassy in Brasilia to register the citizenship of my youngest grandson.  The three-hour drive is pretty, but we arrived late by approximately the same amount of time it takes to clean up after a car-sick three-year-old.  Then, the embassy security personnel considered it excessive that the registration of one infant should require the admission of seven people, even if each of the siblings, parents, and grandparents carried US passports.  My son—very good in a crisis—managed to negotiate for six, but the guards insisted that a line had to be drawn, and I found myself left outside as the rest of my family went in.  Thus it was that I enjoyed about 90 minutes exploring the landscaped area in front of the US and French embassies and a patch of weeds that surrounded a construction site. 

The city of Brasilia is younger than I am.  It was not laid out until 1956, by which time I was in 1st grade.  The idea was to encourage the development of Brazil’s interior by placing a new capital smack in the middle of undeveloped territory.  Today, the metropolitan area boasts over three million people, but its recent agrarian past was evident in the Brachiaria that dominated all of the non-landscaped areas.  This part of Brazil was largely settled by immigrants from Germany and Italy, but the Brachiaria came from Africa.  Brought in as high-protein forage for cattle, it has pushed out the native flora.
 
As is often the case, the field of Brachiaria had also become home to several hills of leaf-cutter ants, probably Atta cephalotes.  I found a column of these ants moving up and down a young mango tree, but they weren’t moving any cargo.  I have seen them, overnight, strip the leaves from a bigger tree than this one, but perhaps these workers, like me, were simply out for a late-afternoon stroll while the rest of the family did something inside the embassy.

Several kinds of butterflies flitted about the Brachiaria.  The sun was too low and the individuals too skittish for me to get many pictures, but one black and white skipper sat still while I manipulated my lens within about five inches.  After several days of research I am convinced it is the Tropical Checkered Skipper, Pyrgus oileus (sometimes seen as P. orcus), on a Lilac Tasselflower, Emilia sonchifolia.  The P. oileus caterpillar feeds on Malvaceae (like cotton or mallow), but the adult likes the nectar of Compositae, like this Emilia (an immigrant from either Africa or South East Asia).
 

Next I investigated a long wall heavily colonized by the Brown Widow Spider, Latrodectus geometricus.  Each of the females rested under a little awning; so that I wasn’t sure what I had I dislodged one.  The one male I saw rested out front in a web more condensed and full of trash than the Black Widows we have in California.  The egg sac is also distinct, covered with little bumps.  I captured one female to use later for studio portraits.


The landscaped areas in front of the embassy have several short palm trees.  I gave each some careful inspection, in hopes of finding a jumping spider, but instead I found this wasp nest.  It was now late enough that the wasps—possibly yellowjackets—were inside for the night.  I was happy to leave them there.  I photographed the nest from several angles, which prompted a visit from the embassy security guard, who reminded me politely that I was not to point my camera at the embassy itself. 

I moved on to a tree that offered peeling bark and found my jumping spider.  It was probably an immature Menemerus bivittatus, the Gray Wall Jumper, a pantropical species I have seen in several countries.  Later, on a dead tree, I pulled back some bark and had an adult disappear into the grass before I could get a good look at her, but from a small nest I began to see hatchlings escaping.  I suspect these were also M. bivittatus, and added a couple to my collection for later filming.
About this time my family reappeared, my grandson registered in time to celebrate his first 4th of July.  However, before we left Brasilia, we took a drive through the downtown, including a pass around three sides of the congressional building (Palacio do Congress) and one corner of the presidential office (Palacio do Planalto), the supreme court, and the national cathedral.  That’s the nice thing about having travel as a hobby, it can be indulged almost anywhere.

Open-air Arthropodarium on a Charlotte Corday

Saturday, June 25, 2011

School is out, so it's catch-up time here at Capers. All the thoughts and observations that I've carried around since things accelerated in March can finally find a place to land.

In the few minutes I could snatch here or there over the last couple of weeks, I’ve been enjoying a hedge of passion vines and grapes that I started last summer. Over the winter, I covered (and saved) some of the passion vines with clear plastic, and learned a lesson from what I never got covered. A freeze came on suddenly just before Thanksgiving. Then the winter turned mild but wet. The rains continued longer than I can ever remember. I covered a length of about 16 feet (8 to 10 feet high), but I never quite got the plastic as far as the P. amethyst. It survived the worst cold and still had green on it until almost the end March, but then it died. I have since read that some prefer dry ground when it is cold. I replaced the dead one as soon as Lowes put the spring vines out, and next winter I will cover it.

The section I protected included the bright red P. vitafolia, the maracuya-bearing P. frederick, and what the big-box home-improvement center had labeled as P. victoria (which is lavender), but turns out to be one of the whites, either ‘Charlotte Corday,’ or ‘Constance Elliott.’ Until someone corrects me, I will go with the former, named for the ‘Angel of Assassination’ who went to the guillotine for stabbing-to-death Jacobin leader Jean-Paul Marat in his bath-tub. She hoped it would end the Reign of Terror. In actuality, it turned them each into martyrs, one for each side, but among Reign-of-Terror floral remembrances, this flower stands out as perhaps the most delicate. As a history teacher, it’s hard to imagine planting anything in my yard with more history than that.

The white one has been blooming for a couple of months, and has set dozens of fruit. The vitafolia and frederick just began blooming last week. The primary pollinators for passion flowers are bumble bees. In our area, that’s the Valley Carpenter Bee, Xylocopa veripuncta. I see them mainly in the late afternoon, most often two of the black females, and occasionally a single tan-orange male. He seems mostly to be checking things out, and I don’t see him land anywhere. They don’t seem to mind either me or the camera, and when the females are intent on a flower, they let me approach within four or five inches.The bees are just the right height to brush under the five overhanging anthers, picking up pollen on their backs, and carrying it to deposit against the three stigmas. They seem to prefer the whites, visit the frederick only after several visits to each of the available white blossoms, and show no interest at all in the vitafolia.I first encountered an insectarium at the Berlin zoo, misnamed though, because it housed and displayed both insects (I saw my first walking stick) and spiders (I saw my first Argiope). Spiders are not insects, but both are arthropods. A better name for such a display therefore is "arthropodarium."








In early June, I began seeing a California Hairstreak Satyrium.












A week later, the first Gulf Fritillary arrived.
















The Argentine Ant tends to dominate my yard, but so far I have not seen them tending herds of scale insects.

So far, I have seen four species of spiders in my hedge.


Holocnemus pluchei immigrated into our area in the 1970s, but now is ubiquitous.



Cheiracanthium mildei needed no introduction: It was already everywhere.







Of the spiders that show up as hedge residents, my two favorites are jumping spiders (family Salticidae). The male Thiodina hespera took exception to being photographed, but I will have the rest of the summer to get a clearer picture. This was the species that first attracted my attention and launched my interest in spiders, some 37 years ago, so we are old friends. Back then, using my first set of close-up lenses, I took my first spider pictures and sent them off to a scholar studying this genus. In those days, the species had no name, and I heard recently that the specialist considered naming the species after me. I don't think my little investigations would have justified that, but it helps explain why I consider this Thiodina almost a member of the family.









The second jumping spider was a female Sassacus vitis. She appeared just after a microscope I had ordered arrived in the mail. She thereby won the right to be my first subject under the new apparatus. On a leaf, her iridescent scales would catch the sun and cast a glint of golden bronze. She is loose again on my hedge, and I will try again to catch a picture of that glint.

The summer and my hedge are still young. I will be traveling some, and trying to write for a portion of each day. But my microscope is brand new, my arthropodarium is just beginning, and school doesn't start for another eight weeks. Life is sweet.

Try a Feijoa-Colada

Saturday, November 27, 2010

Later today I will harvest this year’s last feijoas (a.k.a., pineapple guava, or guavasteen; Acca sellowiana, syn. Feijoa sellowiana). A few I will spoon out and eat fresh, but most I will puree and pour into ice trays. The fruit comes ripe in October, but I find its robust flavor most agreeable on hot summer days, and then iced and diluted with coconut juice.

Most gardeners allow their feijoas to fall to the ground, unused. As a shrub or small tree, it makes a nice hedge or stand-alone ornamental. The fruit falls while still hard, and then needs a day or two before it softens to the touch and is ready to eat. Left on the ground, they go bad quickly, but I set mine in a box indoors until I can process them.

The fruit packs a burst of unique flavor, sometimes more than the uninitiated is prepared for, and especially when left in the skin. It compares to a citrus zest, with uses in salsas, chutneys, or sweetbreads, but even diced small in a fruit salad, I have seen plates come back to the kitchen with the feijoas pushed to the side.

However, almost daily throughout this past summer, I enjoyed a frothy mug of iced feijoa-colada, from cubes I froze this time last year. When pureeing the feijoa, skin and all, I use canned coconut juice for
any necessary liquid, and then use chilled coconut juice to blend the drink on the sweltering summer days when I am ready to enjoy it. The two flavors balance well, zesty but sweet, and require no additional ingredients.
(Note: I once offered a taste of feijoas to a class of students and two members of the class experienced minor reactions, passing about an hour in drowsiness. I searched the web for some mention of this, without seeing anything, but two students was eight percent of my sample, and their drowsiness came on rather quickly after tasting the fruit.)

Thanksgiving Salad: Persimmons, Pomegranates, and Kiwis

Monday, November 22, 2010


Many Novembers ago I came home from a farmers’ market with a collection of persimmons, pomegranates, and kiwis. I mixed them in a salad and was so pleased with the results that it became my default offering for any potluck or party between Columbus Day and New Years’. Now I have all three planted in my yard. I’m a devotee of local fruit.

I like the colors in this salad, as well as the flavors and textures. The kiwis are soft, sweet, and gently tangy. The fuyu persimmons add crunch like a crisp pear and hint at cinnamon with their flavor. The pomegranates explode between the teeth and turn to a winsome juice. (Some varieties can be a little tart, but the one I grow is wonderful.) Occasionally I’ve thrown in late-harvest grapes (a purple-black variety is available in my local farmers markets), or fresh pineapple if I’m willing to cheat and add a yellow import.

The slicing and husking for a large bowl of this salad takes about an hour. Most varieties of kiwis require peeling, while pomegranates must be carefully coaxed from their shells. Persimmons can be eaten in the skin, but for salads I prefer to take it off. Both pomegranates and persimmons are long-lived in a fruit bowl (and longer with refrigeration), but the kiwi presents itself with a shorter window of readiness. I have kept them in a frig for up to ten weeks, but I’ve learned to put soft ones in cold storage and hard ones out on the sink four to seven days before I will need them.

The photograph shows the version I made tonight. I had three helpings at dinner, and may have another bowl before bed. Enjoy.

Savoring a Tiny Dragon

Sunday, November 07, 2010

It wasn't very big, but neither was it going to get any bigger, so today I clipped my little dragon fruit and split it with Vicki. That works out to 46 days from hand pollination to plate, and puts an end to the fun little episode that began here. It was delicate, sweet, and everything I could have asked for, except bigger. The main suspense came with the first slice of the skin, since I had been hoping for the variety with white insides rather than purple. The dragon gratified even that desire. Ah, the little delights of life.

Actually, for a garden that gets very little attention after school starts in August, I continue to find delights anytime I can get out there. It is a full week into November, but rather than calling it quits for the year, two varieties of passion vine seem to be accelerating their bloom. The red Passiflora vitifolia opens upward, while the lavender P. amethyst (amethystina?) wants to hang its blossoms downward.

Today I harvested both the lingering summer crops (cherry tomatoes and a handful of Italian Honey Figs), fall crops (persimmons, pomegranates, and pineapple guavas), and a winter crop (one freak navel orange).


Oh, and one tropical fruit t
hat shouldn't even grow in our area . . .

. . . a delightful little Chinese dragon.

My Dragon Fruit at 39 Days

Sunday, October 31, 2010





If we can pull away from the California elections, long enough to focus on more important things, the most profound question of the moment is whether my Chinese Dragon Fruit is at its peak of ripeness. I reported September 22nd about the first blossom I've ever had on my several-year-old vine, and about hand pollinating it. I'd read that these fruit ripened at 30 days, but this one didn't start showing color until about five days ago. Now the big question: When will it be at perfection?



Okay, back to my election endorsements.

(P.S., the delectable continuation of this saga can be found here.)

One-Night Stand with a Chinese Dragon

Wednesday, September 22, 2010

Some twenty-five years ago in a Bogotá market, I met my first yellow pitayas, a fist-sized fruit with a bumpy rind and delicate white flesh. I rummaged through the pile and found one with enough of its cactus stem attached that I could try rooting it. It grew but never thrived nor blossomed. I brought a cutting from that plant through customs in 1990, but lost it to a freeze. By the time I tried to bring another cutting through customs, the Hylocereus megalanthus was protected as an endangered species and I lost my sample to confiscation.

Eventually a member of the California Rare Fruit Growers offered me cuttings of both the pitaya and its near cousin, the Chinese Dragon Fruit (Hylocereus undatus), but I’ve never had the right place, or the right climate, or the right touch. They grow best in places like Thailand. I’ve waited in vain, watching for my first blossom.

Last night it came. My potted and trellised vine sprawls in a hard-to-reach corner of my sun-porch, but I noticed a tiny bud last week. It grew at a rate of over an inch a day until it reached eleven inches. I lived in fear of missing its brief appearance. The Hylocereus blossom only opens once, for seven or eight hours, in the middle of the night. When I found it open, I was most surprised to see an off-center pistil overlooking a mass of delicate stamens. Its smell was noticeable, though drab, but the flower was stunning. I quick snapped some pictures, brought my wife out for a viewing, and plucked some stamens for hand-pollination.

Now I must wait to see if my efforts will pay off. My reading tells me the Dragon Fruit needs thirty days from blossom to mature fruit. I’m counting.

The picture at left is from a Dragon Fruit I enjoyed in Kunming, China.










Update: Almost ripe at day 39.