Capers With Carroll

The time has come,' the Walrus said, To mark our ballots and mail them in: Of governors — and congresspersons — and ballot initiatives— Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.'

I cannot get very excited about the coming November election, with early voting already upon us. I felt fortunate, during the primary election, to at least have American Solidarity Party candidates for some of the races, but now it’s all duopoly parties all the time. In California, that generally means Democrats will sweep the statewide contests, but maybe my local county will lean GOP. The slight of hand from both parties has primarily focused on whether pigs have wings. Neither party can offer solutions to our problem with homelessness, which I consider our most pressing problem. The Republicans have no power to enact their ideas, even if they had some, and the Democrats lack the will to demand the necessary concessions from key constituencies.

I will not vote to send any Democrats to Sacramento until their supermajority has been curtailed. Each of the duopoly parties has enough whack-a-doodle ideas that neither party should be allowed to govern without some semblance of balancing power.

For a similar reason, I fear letting one party control both Houses of Congress, especially the party that controls the White House. In either case, the deciding races will probably be in someone else’s district, so my votes will simply be to go through the motions.

The propositions, however, have my full attention.

Proposition #1: No. Enshrines Uber-Roe into the State Constitution: The SCOTUS Dobbs decision did not affect even one potential abortion law in California. What it did do was give Governor Newsom a platform for over-kill grandstanding and launching a presidential campaign. His campaign to ‘enshrine Roe in the Constitution’ goes way beyond what the status quo under Roe and accompany his efforts to have California taxpayers subsidize abortions for residents of other states. Recently, Gov. Newson added $200,000 to the state budget in support of abortion, while earlier in the year he vetoed money for perinatal coverage. I support increased spending for pre- and post- natal care, but not for abortion. Unspoken in that is that these taxpayer subsidies will pass through the hands of these out-of-state mothers and into the hands of California abortionists, a group already powerful enough to demand that a likely President abandon support for the Hyde Amendment, handpick the Nation’s Vice President in 2020, and choose the Democratic Candidate in 2024. Even Pro-Choice Californians might want to think twice about this Administration’s tax-payer cash cow for Big Abortion, and say “No!” to the whole program.

Propositions #26 (in person betting) and #27 (on-line betting): No, and No. Schemes by which the State attempts to fill its coffers on gambling always function as a regressive tax. Then, the legislature can point at the gambling funds dedicated to various services and justify giving those agencies less money from the general fund. Government sanctioned gambling is always bad policy.

Proposition #28: Yes. Guarantees that 1% of any funds going to education must be dedicated to programs in art and music. This is especially important to poorer districts like the one where I taught. In rich neighborhoods, parents often pay for private lessons, or team together an raise outside funds for art and music lessons. Art and music ought to be part of the basic program at every school.

Proposition #29: No. Yet another attempt by Healthcare unions to force expensive new rules for kidney dialysis. Voters have already rejected this idea twice.

Proposition #30: Tentative yes. Initiates a new tax on high incomes, to use the funds for electric cars, charging stations, and to fight wildfires. My State Teachers Retirement pension does not put me in the high-income category, but we do face a question over how many high earners we can chase out of the state before it hurts the overall economy. It seems to me that a Capitalist system could find Capitalist solutions to create the required charging stations, but we do need to step up our game in fighting our annual wildfires.

Proposition #31: Yes. Bans the flavored tobacco products that are custom designed to hook young people. How long have we been trying to protect kids from early tobacco addiction?

I left Stratford-upon-Avon the morning after attending the Shakespeare play. One ride took me through Herefordshire and to the border of Wales, where I found myself in barren-looking highlands. My strongest memory is of a Royal Airforce pilot, who was practicing hugging the hilltops with his jet, up and down the valley, over the hill top to be out of sight for a few moments, and then back. For a while, it was just the two of us in those hills.

I have been searching in vain for the box of slides I took during this trip. Not that any of them stand out for quality; they don’t. I also have not been able to find the collection of letters home, saved by my mother and returned to me after her death. I probably did not even take a picture of these mountains, as they impressed me as rather bleak. However, in writing this episode, I did a Google search for a woman I would later meet, and discovered that she loved those mountains and spent much of her life taking pictures of central Wales. She advocated for the preservation of both its natural environment and the Welsh language. Often, though, she did not claim her photographs. When she did, she signed variously as Lis or Liz, Fleming-Williams, or just Williams.

Somewhere along there, I hitched a second ride. As it was approaching late afternoon, I had settled on reaching a Youth Hostel at Pontarfynach (Welsh for ‘Devil’s Bridge’). The driver knew of it, and let me off with instructions that if I followed the trail that she pointed out, it would cross a pasture and go down a deep gully. There would be a foot bridge, and the trail on the other side would take me to Pontarfynach.

The trail was just as she described it, following beside one of those walls that is just stones piled on top of each other as generations of farmers cleared their fields. The gully and bridge were also what she described, but by the time I started up the other side, the sun was down and darkness had set in. I realized it would be too dark to find my way any farther. I was beside a pasture, and could see the farm house farther up the hillside. I’m not into trespassing, but decided to step over the barbed wire and roll out my sleeping bag in a flat space.

Fog came in, which I felt gave me some protection against discovery, but I did not sleep well. I worried both about being where I hadn’t been invited and about the possibility of some cow coming along and stepping on me. In the morning, I quickly rolled up my sleeping bag and continued up the trail, which took me to a spot where I could look back on the farmhouse. This is the photograph which I most wanted to find and include here—but haven’t—with the green hillside, sparkling with dewdrops in the sunshine, the stone building, and an exposed opening where the roof had long-since disappeared. I had been worried about the occupants of an abandoned ruin. I recognized the lesson, and chewed upon it as I walked in the morning sunshine.

The trail put me out on a dirt road and my map told me I had a hike of about 12 miles, passing through Pontarfynach, and on to the city of Aberystwyth. The lush countryside was everything the higher mountains had not been, and the roadside even offered wild blackberries. I pondered the worries that had needlessly prevented a restful night’s sleep, and I had a strong sense that God had been watching out for me.

The God question consumed a lot of energy at that point in my life. Did He even exist? And if so, in what form? My religious education had been in Methodist congregations, which had molded in me the social gospel. I appreciated the fellowship of good people, doing good things, and enjoying wholesome fun and friendships. However, in my teens, I could not escape the observation that this group seemed to treat the Bible as a convenient mythology for holding the social club together. My own reading of the Bible refused to allow that as an option. Either the Bible was true in its claims, or it had to be rejected. I would not base my life on a myth.

I went looking through the world’s other religions for truth. I read the Quran and came away unimpressed. Upanishads and sutras left me bored. I did entertain a brief attraction to Daoism and the Dao De Ching, but it seemed to me that to be a good Daoist, one would need to live as a hermit in a cave. I knew myself to be a people-person.

By the time I graduated from high school, I leaned towards the idea that all of the world’s religions could be reduced to the Golden Rule. That summer, however, I visited relatives in Oregon and heard a rabbi speak. Not only did he actually accept all of the Bible as truth, but he believed that Jesus of Nazareth was the Jewish Messiah. I tucked that away in my mind. It bounced back a few years later while reading about a Vietnamese religion, Cao Dai. Caodaism, as Time Magazine explained it, hoped to unite all the world’s faiths into one. They proposed a pantheon of great spirits: Jesus, Buddha, Confucius, Lao Tse, Gandhi…(up to this point, I was nodding)…and Victor Hugo. I felt as if I had been stabbed, seeing Jesus and Victor Hugo in the same sentence. Yet obviously, once any other human being could be put in the same sentence as Jesus, any group would be free to add their own superstar. I had to mull my reaction. It also brought back a lesson I had learned from reading the Dao De Ching. There is an enormous gulf between what Lao Tse taught and the way the religion is practiced today. I needed to look only at Jesus, and not the behavior of his modern adherents.

I replayed much of this in my mind as I entered Pontarfynach in the early morning sunshine, inwardly praising the God for whom I still questioned even his existence.

Out of a house, a woman came out to greet me, “Where are you going?”

“Aberystwyth,” I told her.

“I’m driving there in half an hour. Why don’t you come in and have a cup of tea. Then I'll take you there.”

She told me that her name was Barbara Fleming-Williams, that she lived in London. This was their vacation home, and her husband had just published a book on the English landscape painter John Constable. I enjoyed the tea while she finished her preparations, and before she dropped me off in Aberystwyth, we traded addresses.

Aberystwyth turned out to be a small city, colorful and quaint, with the ruins of an ancient castle. A plaid wool cap tempted me beyond my budget, but I thought better of it, and then began the 55 mile hike, south, toward Fishguard. Fishguard would offer both a Youth Hostel and a boat to Ireland.

Despite the marvels I had already experienced in one day, I began to be depressed by the distance I still needed to cover. Then I recalled the last words Vicki had given me at the airport, “No matter what happens, remember to praise God in all things.” Indeed, I had been praising God when Mrs. Fleming-Williams came out to greet me, and I did have a great deal for which to praise God.

While I was still somewhat lost in praising this God about whose existence I wasn’t quite convinced, far down the road, a truck pulled to a stop from a side road, and the driver waved to me. I broke into the best run I could manage with my heavy backpack, and climbed into the passenger side. He was an auto parts delivery man, and we drove down the coast unloading his wares at petrol stations. We had a jolly good conversation and at each garage, the owner invited us to sit for tea and what they called biscuits and I would call cookies. Finally, on the edge of Fishguard, he treated me to fish and chips. I arrived at the hostel with enough daylight left to join two Swiss boys in a walk along the cliffs above the sea.

Beat (bay-AHT) and Urs were also headed over to Ireland, so we decided to travel together. As it turned out, they would later visit me in the States, and after we were married, Vicki and I would travel through Switzerland and Italy with Beat. Barbara Fleming-Williams daughter Lis would also visit us in America. What a day!

As Beat and I got to know each other that night, he asked me if I was religious. I told him that I was not.

Afterthoughts: In preparing to write this, I came upon obituaries for both Lis Fleming-Williams (d. 2019) and her father (1998). Barbara died in the 1980s. Lis had devoted her life to protecting the natural environment and wildlife of Central Wales. We had a brief visit with them in London in 1976, but otherwise had no communication after Lis and a friend visited us in Los Angeles during the summer that Vicki and I got married. For both Vicki and I, the strongest memory of that visit is the embarrassment we felt when Lis’s stomach pains required us to take her to Emergency at Martin Luther King, Jr. Hospital, in Los Angeles. It was very obvious that our American healthcare system did not match what she would have expected from the British system. When I search back to my first questioning of our American system, I go back to that hospital visit.

Opening day for Kamisaka Sekka

Kamisaka Sekka

Moon and Waves, Suzuki Kiitsu (1796-1858)

Grasshopper detail from Autumn Grasses and Moon, Sakai Ōho (1808-1841)

Takasago, Kamisaka Sekka (ca. 1920-1930)

For more on the Clark Center for Japanese Art and Culture: 

For my previous review of the Clark Center for Japanese Art and Culture:

My interest in Japan goes back to high school. I finished a year of Japanese language at Pasadena City College and a year of its history at UCLA. So I’ve been vaguely aware of the Clark Center for Japanese Art & Culture for several years. I’d just never gotten there. The Clark sits only 28 miles from my doorstep, but it’s not in a direction I’m accustomed to travel.

Kings County is largely dairy country, the milking sheds and herd corrals interrupted only by the alfalfa fields that support them. Most of the dairy families trace their roots to recent immigrants from Holland or the Azores. It’s not the kind of landscape where one would expect to find one of only two museums in America dedicated entirely to Japanese art.

The land has a poor record for supporting high culture. In the late 1970s, a Canadian hoping to found a Shakespearian theater studied a map, saw a ‘Stratford’ (another 14 miles of dairy land beyond the Clark) roughly midway between the Los Angeles and San Francisco markets, and came for a look. At Stratford, he found a fork in the road, a hay barn, and some farm-worker housing. Not ready to give up, he backtracked through Hanford and all the way to Visalia before he could find a host community for his company. For several seasons, they produced some fine theater, but the L.A. and S.F. crowds never materialized. Without those crowds, the show went dark.

So it is pleasantly surprising to see another attempt at world-class culture birthed among the dairy herds. In this case, the herds help insure the endowment. Founder Willard G. Clark began the center with money earned in the international bull-sperm market. He still lives on the property, separated from the museum complex by Japanese gardens and a pond. While the literature rack presents opportunities for sponsorships and donations to help expand the work, the existing program looks healthy.

My immediate inspiration for making this visit was to preview a possible reward-trip for a handful of my hardest working students. (I’ve taken students to the Getty, but the round trip is 370 miles.) My seventh grade history class does a unit on Japan, and the Clark Center came to mind as we talked in class.


I arrived on a Saturday afternoon, the final day of an exhibition on contemporary Japanese bamboo art. The Clark is open Tuesday through Saturday, from 1:00 to 5:00 PM. One building houses the offices and an impressive collection of books. I didn’t come with either the credentials to poke through their rare texts or a subject I was ready to research, but I know where it is now, if I’m ever up to that.

My entrance interrupted one of the curators at her work. She took my five dollars, showed me their literature rack, and then escorted me to the gallery. As we left the office, we passed a coat of samurai armor for an exhibit that begins next August.

One enters the exhibit hall through sets of outer and inner doors, between which the visitor slips out of his shoes. After a small anteroom, the main hall is large enough to display 25 or 30 works. (In storage, somewhere on the grounds, another 1,700 works from the permanent collection await their turns.) I was met at the door by an intern from Germany, and found one couple already present. Later, a mother and daughter joined us. Sometimes we gathered around a particular piece and discussed it with the intern. Other times we separated and enjoyed the art in silence.

I came to this exhibition with negligible background on bamboo art. As a child, I remember studying a couple of rattan and bamboo chairs, and I once spent ten days in an Amazon village where I watched the women splitting vines, soaking them, and weaving them into basketry. These pieces begin with some of the same basic techniques. Apparently, within the current generation of Japanese craftsmen, some who had apprenticed working on lampshades and containers shifted their attention to abstract sculpture. Their work demonstrates attention to form and texture, with color schemes that owe much of their subtle variations to shadows within the work itself. I found it interesting, but my 7th graders will probably be more excited by next August’s Samurai armor.

Outside, the Clark Center has a display devoted to Bonsai. In the afternoon breeze while I was there, it came with the authentic aroma of, well, this might be a good place to invoke the wisdom of Proverbs 14:4, “Where there are no oxen, the manger is clean, but abundant crops come by the strength of the ox.” (English Standard Version) The Clark testifies to such abundance.

I enjoyed my first visit to the Clark, and as new exhibits pass through, I hope to go back. Not quite fourteen years old, the museum has made an impressive start. I hope it grows.

More photos of both this exhibit and the next one can be found here.

This is my review of the Clark Center's May, 2012, exhibit on Kamisaka Sekka and Rimpa.